Another interview with Foxx has appeared online, this time at the very wonderful ballardian.com in which he discusses at length the influence of the great author on his work.
I'm particularly pleased to see the host, Simon Sellars, suggesting that Foxx might actually BE Arnold Weiss bryant, the collector of the Tiny Colour MOvies that inspired the music. This is something that came to me a weeksor three ago.
Urban drift. Walking through Cities. Burnt patches on pavements. In the same way that we all from time to time inhabit other people, put on their clothing, assume their mannerisms, adopt their phrases and speech patterns.
As he submits to these psychic entry points, Foxx becomes this other man.
Weiss Bryant is to Foxx what Foxx is to Dennis Leigh. A way of doing something else and exploring other places. For now it is film. Images that dissolve into each other. Flashbacks.
Skyscraper shadows on a carcrash overpass.
All the traits of the condensed novels in the Atrocity Exhibition.
It makes so much sense, and how refrshing to be able to discuss this with someone else who knows what they are talking about. Nether Simon, nor Adam at beatmag or Mark at k-punk are figures at the forum yet they all have a deeper understanding of John's ideas than anyone there.
I was shouted down when I hinted about the parallels between the obsessions and aesthetics of Frank Watts, Alan Marker, Jerry Golden, Ernst Lubin and our own Mr Foxx.
Pretnetious indeed, but as has been argued before, that doesn't automatically define something as rubbish.
Spoke to RH tonight from his hotel room in Warwick.
Lost and Lonely. he's done some updates tho.
the pictures of John from Hurrah in 1979 are superb. One especially when he seems to have "drifted off too far" - a vision of detachment. Almost vacant.
Three more albums in the collection this week (I'm so bad when I get cash in my pocket)
Throbbing Gristle - Second Annual Report.
Typical. Impossible. Totally absorbing. Painful.
As irrelevant now as it was 30 years ago. Still out of place, and that's a serious achievement.
Tom Waits The Big Time
Clever. Silly. Heard it at Mark's last Thursday for the first time in years. Like Beefheart, a misunderstood genius. Mad as a fish
The BeatlesRevolver.
I know. But at only £3 I now have it on remastered CD.
Undoubtedly one of the best albums EVER written.
When Tomorrow Comes. Eleanor Rigby. And Your Bird Can SIng. How far ahead of 'your time' is it possible to be?












